Kal Lavelle, Antonio Lulić and Craig Sutton live @ St James's Wine Vaults

Well, it’s that time again. That time where I whip off my pointe shoes and leotard whilst thrusting aside my A-level geography text-book and pretend to be something I’m not: a hard-hitting musically savvy journalist. Well… I suppose a mediocre blogger with 7 followers will have to do for now.

On Friday night, buzzing with suppressed excitement, I headed of to St James’s Wine Vaults in Bath for an intimate acoustic gathering. I was excited to say the least, not just because it was another chance to see live music from fantastic up-and-coming artists near my home town… but because these particular 2 artists happened to be 2 of my favourites.

The venue was perfect: a little like a twinkling, candle-lit underground bunker with a slight scent of cigarette smoke and stale larger; an ambience that seemed ideal for the musical genre of the evening. First up was Craig Sutton, aka ‘The Flamenco Thief’, a guitar playing postman from Bath whose music took me entirely by surprise. His skill was impeccable and each song was entirely different to anything I have ever heard before. His innovative way of playing flamenco music with a loop-pedal was both original and impressive… and puts my guitar playing to shame! (Just so you know, I can painfully twang ‘All you need is love’ by The Beatles… literally, that is it!).

What is it about Kal Lavelle? The bleach-blonde hair? The repertoire of sensational jumpers? Or is it simply the raw musical talent? Because I swear to God, I can’t go and see one gig at which she is playing without her entirely stealing the show and captivating the audience’s hearts! Needless to say, her performance was flawless. ‘The Ocean’ was just as I remembered: emotive and passionate with beautiful vocals, from then onwards, it  was obvious that Kal’s performance wasn’t going to disappoint. But it wasn’t just her music that was startling, her witty rapport and individual performance style was charming to watch; putting her natural humour and charisma to its full potential. She promised a complimentary Skype conversation with her and her mother to all of those who purchased her debut EP ‘Shivers’ (which, by the way, is excellent!). She later divulged to us the heart-wrenching story behind her song ‘Disaster’- which was emotive, melancholy and beautiful, with sparse chords and powerful vocals to display her exceptional talent as an artist; I think every audience member was captivated from that point onwards. ‘Shivers’ was impeccable- with faultlessly crafted lyrics and chords- to create a truly awe-inspiring song. She closed with a wonderful cover of Gnarls Barkley’s ‘Crazy’- complete with a short burst of Aloe Black’s ‘I Need a Dollar’- which brought a perfect end to an otherwise spotless set: it has suddenly become very apparent that bigger venues beckon her.

Next up was Antonio Lulić, a North-East England born-and-bred rock/folk musician whom I have been waiting to see live for... well, quite a while! I know I never seem to write bad reviews of people, but when artists like this exist in the world, is there any point in slagging them off, I ask you?

Clearly, the answer is no.

His vocals were faultless, his guitar playing captivating and his energy and passion for music infectious, therefore it wasn’t long until he won the entire audience over with his dashing good-looks and musically rustic charm. He opened with the new ‘Beckoning Drum’; unleashing a flood of energetic guitar chords and soulful vocals in to the already buzzing audience. ‘Never or Tonight’ was just as I expected, Antonio’s performance was enthralling and his voice soared effortlessly over each note to fill the entire venue- singing ‘Meet me at Bath Spa station, out on the edge of town/ I’ll be waiting on the platform as the sun goes down’ resulted in a bout of laughter from the audience… clearly hiding the swoons from each of the women. Next up was the popular anthem introduced as ‘This song is about the sound of the girl next door singing… and it’s called ‘The sound of the girl next door, singing’ and it was perfect. I was a little disappointed to see that he wasn’t going to perform it with Kal’s backing-vocals, but once he got into the swing of things I couldn’t fault his performance- maybe even my favourite song of the night? Finally, after a truly tremendous set, he closed with his beautiful song about forgiveness: ‘Hey, it’s okay’- which deftly walked the line between being intriguingly melancholy and a toe-tapping sing-along number. I can hardly wait to hear more!

Unfortunately, this is when I had to leave; abandoning the warmth and laughter of the intimate venue and returning to the graft of my 6th-form essays. I was a little disappointed to leave before Ryan Keen’s set- because I do adore his music- but I feel I should add in here that his EP ‘Aiming for the Sun’ is flawless and by arriving early and catching the end of his sound-check, I can say with confidence that his live performances are equally so. But one thing is certain, if each of these outstanding performances didn’t secure all that performed a good reputation when it comes to performing live… I don’t know what will, because they were all exceptional.